Thursday, December 9, 2010
Chromophilia was a great experience, and we look forward to producing another exhibition of amazing jewelers next year... Until then, I'd like to invite you to become a follower of my blog, Evocative Objects, which focuses on contemporary jewelry and my studio practice.
Thanks a lot,
Friday, October 1, 2010
Review: '10 Most Endangered Properties,' plus 'Chromophilia'
The title of the "Chromophilia" exhibit at Craftland (235 Westminster Street, Providence, through October 10) focuses our attention on the bright colors of contemporary studio jewelry, which follows the 1980s revival — a la American Apparel — throughout fashion. But the bigger trend that curators Devienna Anggraini and Islay Taylor identify is a Post-Modern, catholic use of a wide variety of non-precious materials.
Mike & Maaike, a San Francisco studio led by Mike Simonian and Maaike Evers, fashion flat leather necklaces and broaches based on pixilated photos of famous jewelry (Daisy Fellowe's "Tutti Frutti" necklace, Imelda Marcos's ruby necklace, the Hope Diamond) found via Google image searches. Mariana Acosta Contreras of Providence strings folded leather into scarf-like necklaces resembling strands of flowers or shelf mushrooms. They often have a neutral main color (gray, white) with bright hues (reds, greens) flaring from inside folds.
Islay Taylor of Providence crochets webs of thread to hold cascading strands of orange and red beads. San Francisco's Emiko Oye turns Legos into bright, blocky, fun bracelets. One cheekily puns on Mondrian's blocky early 20th-century abstractions. RISD-trained Jimin Park's broaches look as if she's fashioned bits of metal and fluorescent plastic junk she picked up off the street into Post-Modern tribal talismans. Oye and Park's work highlights a distinguishing characteristic of this jewelry: a spirit of play.
Monday, September 20, 2010
Wednesday, September 8, 2010
Tuesday, September 7, 2010
Devienna and I met today to install our upcoming show, Chromophilia, at Craftland. It took us only six hours to get a majority of the work done, and I'm very pleased with the results! Devienna was the brave one climbing up and down the ladder all day, while I laid out and secured most of the work... Clearly, we were a perfect team, and I'm honestly shocked at how quickly we worked together. I felt like a jewelry-installing zombie towards the end, but it was worth it! So many mono-filament knots.
Now that all the work is laid out in the gallery, the chromatic theme of the show is becoming brazenly apparent. Craftlands gallery has been transformed into a prism of color, texture, and material. Saturated reverberations coming off each artists work and just light up the space. All of the jewelry looks compliments each other nicely, and there is a good balance of styles of making and materials also.
Here are some preview pictures of the exhibition from when we were setting up today. I'll post more detailed images after the show opens.